Matthew Worth

Join actors J. Smith-Cameron and Joe Morton as they narrate MasterVoices' performance of THE GRAPES OF WRATH at Carnegie Hall on April 17. Don't miss this unique theatrical experience.

MasterVoices will close its 2023-24 season on April 17 at Carnegie Hall with a revised concert version of The Grapes of Wrath by composer Ricky Ian Gordon and librettist Michael Korie based on the epic novel of the same name by Nobel Prize winner John Steinbeck.

The awards honored six musicals from Broadway, Off-Broadway, and the West End with nominations for Best Musical Theatre Album - 'Jagged Little Pill,' 'American Utopia,' 'Little Shop of Horrors,' 'The Prince of Egypt,' 'Soft Power,' and Amélie.'

The Recording Academy announced today that acclaimed conductor JoAnn Falletta received a prestigious 2021 GRAMMY Nomination for Best Choral Performance as conductor of the world premiere Naxos recording, Richard Danielpour's “The Passion of Yeshua” with the Buffalo Philharmonic Orchestra, the  Buffalo Philharmonic Chorus prepared by Adam Luebke, and the UCLA Chamber Singers prepared by James K. Bass. 

OPERA America is inviting artists, administrators, trustees, and audiences to 'A Toast to 50 Years,' a celebration of opera's progress and of OPERA America's 50th Anniversary, taking place today, Friday, May 15, from 4:30 to 5:00 p.m. EDT.

Here's a look at how 'Light Shall Lift Us; Singers Unite in Song' (for OPERA America), a video project featuring 107 opera singers in “a song of hope and solidarity” by Paul Moravec and Mark Campbell, came together to help raise up the spirits of their communities as we deal with COVID-19. It went 'live' on May 14 at 1:30 pm EST.

Central City Opera's 2020 Summer Festival opens with a bang on July 4 with Rodgers & Hammerstein's beloved musical Carousel, followed by Verdi's thriller, Rigoletto, and Purcell's bewitching, hour-long opera Dido and Aeneas. The four-week celebration of storytelling and powerful voices in the historic mountain mining town features electrifyingly close encounters with classical music's biggest talent, the Central City Opera Orchestra and rising stars from the Bonfils-Stanton Foundation Artists Training Program.

The San Francisco Conservatory of Music (SFCM) today announces the appointment of baritone Matthew Worth to its voice faculty. Worth will lead a full studio at SFCM beginning in Fall 2019, joining the voice department led by chair Cesar Ulloa. Worth's appointment comes just after the announcement of Rhoslyn Jones joining SFCM's faculty.

General Director and CEO Deborah Sandler today announced Arias and Barcarolles The Bernstein Songbook will continue the 2017-2018 Explorations Series, Sat., Oct. 14 at 7:30 at the Grace and Holy Trinity Cathedral (415 W. 13th St., Kansas City, MO 64105).

Last year's premiere of JFK by David T. Little and Royce Vavrek at the Fort Worth Opera caused some big-time foot-stomping in the Lone Star State. New Yorkers will have a taste of the work--which will have its next full-scale production at the Opera de Montreal next January--on April 23 at the Morgan Library & Museum in Manhattan.

Cathedral of St. John the Divine...will present Benjamin Britten's powerful invocation of the perils of battle, the War Requiem on Thursday, April 6th, 2017 and Friday, April 7th, 2017 at 7:30 pm, at the Cathedral of St. John the Divine, 1047 Amsterdam Avenue (at 112th Street).

To launch his 2016-17 season, Kent Tritle made his conducting debut in Asia with a program of Beethoven and Bellini at South Korea's Great Mountains Music Festival and School in August, and in November led the New York premiere at the Cathedral of St. John the Divine of the recently deceased Einojuhani Rautavaara's Vigilia. Opera News, praising Tritle's “profoundly musical direction,” said, “Truly, this was a choral concert for the ages. … For those of us who love choral music, and for those of us who particularly love choral music connected to the Eastern Orthodox tradition, this concert was possibly the finest event of the 2016-17 season.”

If "satire is what closes on Saturday night" (according to the great playwright and wit George S. Kaufman), then contemporary opera is usually not far behind. That is, unless it's Kevin Puts' and Mark Campbell's prize-winning SILENT NIGHT, which actually opened on Saturday night (this past weekend) at Atlanta's Cobb Energy Performing Arts Center, in a moving new production by the company's General and Artistic Director Tomer Zvulun that doesn't go for the heart strings but gets there anyway.

The Oratorio Society of New York fulfills its role as New York's champion of the grand choral tradition with the opening program of its 2016-17 season:  Mozart's "Great" Mass in C Minor, written to celebrate the composer's marriage, and Bruckner's Te Deum, a gem of a 19th-century choral masterwork that Bruckner called "the pride of my life."

The Oratorio Society of New York (OSNY), New York's standard for grand choral performance, will mark its 2016-17 season with performances of symphonic choral masterworks of Handel, Mozart, Bruckner, and Britten, ending with Bach's monumental Mass in B Minor. Leading the OSNY for its 144th season will be Kent Tritle, in his 12th year as Music Director.

The Oratorio Society of New York fulfills its role as New York's champion of the grand choral tradition with the opening program of its 2016-17 season:  Mozart's "Great" Mass in C Minor, written to celebrate the composer's marriage, and Bruckner's Te Deum, a gem of a 19th-century choral masterwork that Bruckner called "the pride of my life."

The Oratorio Society of New York (OSNY), New York's standard for grand choral performance, will mark its 2016-17 season with performances of symphonic choral masterworks of Handel, Mozart, Bruckner, and Britten, ending with Bach's monumental Mass in B Minor. Leading the OSNY for its 144th season will be Kent Tritle, in his 12th year as Music Director.

Fort Worth Opera will inaugurate the tenth anniversary Festival season and celebrate the culmination of the first phase of its Opera of the Americas initiative with the world premiere of JFK - a FWOpera and American Lyric Theater co-commission - by the acclaimed creative duo of David T. Little and Royce Vavrek, beginning tonight, April 23, 2016.

The premiere of JFK in Fort Worth on April 23 is a big step forward for composer David T. Little and librettist Royce Vavrek--who made a splash in contemporary opera circles with their post-apocalyptic DOG DAYS--as their first 'grand' opera. It's also a major leap for American Lyric Theater (ALT), and its founder and artistic director, Lawrence Edelson, which co-commissioned the work with the Fort Worth Opera.

Fort Worth Opera will inaugurate the tenth anniversary Festival season and celebrate the culmination of the first phase of its Opera of the Americas initiative with the world premiere of JFK - a FWOpera and American Lyric Theater co-commission - by the acclaimed creative duo of David T. Little and Royce Vavrek, beginning April 23, 2016.